This is a promo video I shot and edited from the Fast From The Past Vintage
Challenge at Barber Motorsports Park during the WERA regionals. The piece
is a lead in for the video for the awards ceremony that was done at the end of
the day. However, this opening was strong enough to stand on it's own. I have
limited After Effects experience that I put to use to make the opening animated
logo for Fast From The Past, which is a logo I also designed.

 

This is the 30 second promo for the Comcast On Demand series Hi/Lo. I was active
in the developement of the show as a producer and once the show began
production, I took on the role of Director on set, and Editor for all post-production, including audio and graphics. The show currently runs in the Atlanta market on
Real City TV, which is a local content provider for the Comcast On Demand.
The first season will wrap in late August.

 

This is a commercial written and directed by an associate of mine for the Atlanta
Film Festival Comcast Contest. The goal of the contest was for filmmakers from
around Atlanta to create 30 second spots highlighting Comcast products or
marketing compaigns. The top ten are then screened for a month before the
festival, and the winner is announced during the festival. I acted as Director of
Photography and Camera Operator. Also, my voice is present in the piece as
the narrator.

 

This is a 30 second spot for Attorney Steven Hart. The commercial was edited
using stock footage, photographs, and graphics created by myself. The audio was
produced and created by the studio that contracted me to edit the spot:
UTM Studios.

 

 

 

 

 

 

 

 

 

 

 

 

These are episodes of a Comcast OnDemand series for the Atlanta market that I edited. Each one was built from scratch by myself and accompanied by music from a royalty-free database.

 

The trailer for the short film "A Long Slow Goodbye"
that I wrote in July 2007(the script can be found on the scripts page) and
directed in February 2008. The full film will receive premieres at a number of
festivals all across the country.

 

Fluid Version: This is a scene from Joe Carnahan's NARC.
It was shot in one fluid take after hours of rehearsal.
I was camera operator. Ashton Savoy directed.

Alternate Version: This version of the same scene from NARC was an
exercise in multi-shot setups. The shoot took 9 hours and was edited in
about 18-22 hours. I was Director and Editor.

This is a short written and directed by Drew Chase.
I was Director of Photography for a little more than half of the film.
The visual design of the film was created by Drew Chase which facilitated
both myself and someone else to act as DP without a visible stylistic difference.

 

This is the trailer for the short film "Misdeal" directed by Michael Schimmelman and
produced by Zeke Flatten. As well as being a co-writer for the film, I was also
the Director of Photography. I planned out every shot in the film in consultation
with the director and producer, as well asoperated the camera on 75% of the shots.

 

This is the music video for 700 South's 3 Maybe 4. I was Director of Photography working under Michael Schimmelmen as Director.

 

This is the surviving footage from a short film I made in 2004. The film was
about a woman whose lover is kidnapped and held for ransom and she is forced
to find the people who took him and get him back. Unfortunately, a computer malfunction destroyed a majority of the tapes the film was shot on. The only tape
that survived was footage from the ending. I fashioned this short out of that footage.

 

I have always appreciated the art and skill that goes into a powerful and
compelling trailer. I decided to take a simple concept and create a trailer
with a slow, powerful flow to it.